earth · Oil and Watercolor

Burnt Sienna

Ultramarine’s most important partner: together they make every gray and every shadow you need.

IndexPBr7

Color#7C3B22

Tinting strength5/10

Opacitytransparent

Lightfastnessexcellent

Dryingfast

In watergranulates

Middling strength: it mixes politely and does not take over.

With white, step by step

pure #7C3B22 6:1 #AB6040 3:1 #BD7352 2:1 #C8805F 1:1 #D89677 1:2 #E5AC91 1:3 #EAB79F 1:6 #F1C9B6 pure #F8F7F3

From pure Burnt Sienna on the left to titanium white on the right. Watch how much chroma you lose on the way — that is the cost of lightening with white, and the reason a tint often needs a trace of something warm putting back.

What to mix it with

These are the partners that take Burnt Sienna furthest towards neutral, which makes them the ones you reach for when you need a shadow or a gray rather than a color.

with Payne’s Gray quietest point #38393A with Mars Black quietest point #1E1C1B with Zinc White quietest point #FBFAF7 with Titanium White quietest point #F8F7F3 with Prussian Blue quietest point #363734 with Ivory Black quietest point #23201E

Every pair

Titanium White Zinc White Lemon Yellow Cadmium Yellow Light Cadmium Yellow Deep Yellow Ochre Raw Sienna Naples Yellow Cadmium Red Light Cadmium Red Deep Alizarin Crimson (permanent) Quinacridone Rose Indian Red Raw Umber Burnt Umber Ultramarine Cobalt Blue Cerulean Blue Phthalo Blue Prussian Blue Phthalo Green Viridian Chromium Oxide Green Dioxazine Purple Ivory Black Mars Black Payne’s Gray

Is it on your palette?

Tick off what you own and every recipe is worked out for that set, from a color you pick out of your own photo.

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